There’s something about stephane rolland that makes him sublime: a mixture of solemnity, daring, brilliance and refinement. Once more, his fascinating designs lead us to the original myth of couture.
It’s the essence and the shape in which rolland seems an inexhaustible resource: this is the most humble thought after an exciting fashion show; a traditional favourite among january’s appointments at paris fashion week. We are talking about the strong continuity of his style and the consolidation of that minimalism, overflowed into expressiveness. Dissolved at times but still dominant, his style suggests new spaces thanks to asymmetrical or opposite structures, small unexpected cuts, and chromatic reduction to white, black and tobacco. We are talking about magnifying fashion, about tactical perfection for illuminated and the right to delirium as spectators.
