On the one hand, Azzaro joins a trend that seems not to yield: dresses largely reduced to transparencies and lace; also joining a lasting classic: bias cut skirts, on the other hand.
Walking on black background there is something in the models that makes us see them as newcomers from desert. It may be the undulating movement of fabrics, the beauty of halternecks with a bunch of embellishments and even those old expeditionary’s baggy trousers. Completing the obvious combination of influences, sand waves prints outline and also define the profile of those translucent designs, underlining the monochrome prints that dampen expectations about the traditional Azzaro.